Detail 01
Fuzz Face circuit
Two-knob fuzz, volume and fuzz. Very interactive with your guitar's volume control — rolling back cleans it up substantially.

Independent shopping perspective
Dunlop's Jimi Hendrix Fuzz Face, a two-knob fuzz pedal in the round enclosure. For players chasing late-'60s fuzz tones.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Two-knob fuzz, volume and fuzz. Very interactive with your guitar's volume control — rolling back cleans it up substantially.
Detail 02
The classic Fuzz Face housing. Wide footprint and a foot switch you hit at an angle, not a standard rectangle box.
Detail 03
Sets saturation. Low settings give a broken-up boost, high settings give the thick sustaining fuzz the circuit is known for.
Detail 04
Output level. Set above unity to push a tube amp's front end harder, which is where much of the tone comes from.
Detail 05
Fuzz clips the signal far harder than a distortion box. Notes bloom and sustain; chords get woolly rather than defined.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes — that interaction is central to how the circuit is played. Rolling the guitar volume back takes it from full fuzz to a lighter breakup without touching the pedal.
First, directly after the guitar. Fuzz Face circuits interact with your pickups, and buffers or other pedals in front change how the input behaves.
No. Fuzz clips the signal much harder, giving a thicker, more saturated sound with long sustain and less note definition on chords. Distortion stays tighter and more articulate.
Both work, and they sound noticeably different. Single coils give a brighter, more open fuzz; humbuckers push the circuit harder for a thicker, darker result.