Detail 01
Brass construction
Heavy and dense. Mass drives sustain and volume on a lap steel, where the bar does all the work.

Independent shopping perspective
Chrome-plated brass tonebar for lap steel and Dobro. Contoured to sit in the hand rather than be gripped, which reduces fatigue on long sets.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Heavy and dense. Mass drives sustain and volume on a lap steel, where the bar does all the work.
Detail 02
Harder, slicker surface than bare brass. Glides more freely across strings and resists tarnish from hand oils.
Detail 03
Shaped to rest in the palm and fingers instead of being clenched. Less hand strain across a full set.
Detail 04
You lay it across the strings rather than wear it. Requires a lap-steel technique, not standard fretting.
Detail 05
Bright, cutting attack with plenty of ring. Also unforgiving of imprecise placement and sloppy muting.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
A slide goes on your finger for standard-position guitar. A tonebar is held in the hand and laid across the strings of a lap steel, resonator, or Dobro played face-up.
A bullet bar is gripped between fingers, which tires the hand over a long set. A contoured bar rests against the palm and fingers, spreading the load and easing fatigue.
Only if the guitar is set up for lap play with raised action, usually via a nut extender. On a standard setup the bar will hit frets and buzz.
Brass is warmer and slightly softer in attack than hardened steel, while still louder and longer-sustaining than glass. Chrome plating adds a slicker feel across the strings.