Detail 01
+21dBu maximum input and output
Headroom matches at both ends, so a hot source that clears the input will clear the outputs too.

Independent shopping perspective
A four-in, four-out active splitter for live and broadcast work, sending the same sources to multiple consoles with buffered outputs instead of passive transformers.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Headroom matches at both ends, so a hot source that clears the input will clear the outputs too.
Detail 02
Low source impedance drives long cable runs to multiple consoles without high-end loss.
Detail 03
Handles both source types without loading a microphone down, so tone stays intact on the split.
Detail 04
Adjacent channels stay separate even at the top end, where crosstalk usually gets worst.
Detail 05
Quiet enough that the splitter is not what you hear on a high-gain mic channel.
Detail 06
Set up for professional gear. Consumer -10dBV sources will run noticeably lower through it.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
Four channels in, four outputs available per channel, so one source can reach four destinations.
Active. Outputs are buffered and driven at 50 ohms rather than split through transformers, so long runs hold up better.
Yes. Mic inputs sit at 1k ohm and line inputs at 4.1k ohm, with +21dBu maximum input either way.
Noise measures -100dBu across the audio band, well below the noise of most microphones and preamps feeding it.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.