Detail 01
Classical-specific
The bar is flat, matching a classical fingerboard's flat radius so every string gets equal pressure.

Independent shopping perspective
Capo built for classical guitars. Handles the flat fingerboard and wide nut that standard steel-string capos don't fit properly.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
The bar is flat, matching a classical fingerboard's flat radius so every string gets equal pressure.
Detail 02
Spans the broader classical neck; a steel-string capo often runs out of bar before the low E.
Detail 03
D'Addario's adjustable-tension line — you set the clamping force rather than accepting a fixed spring pressure.
Detail 04
Nylon strings go sharp easily under too much pressure. Dialing tension down keeps the guitar in tune when capoed.
Detail 05
Above spring-clamp capo money, which buys the tension adjustment and correct classical geometry.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
It's built for flat classical fingerboards. On a radiused steel-string neck the flat bar won't press the middle strings evenly, so expect buzzing.
Two reasons: the fingerboard is flat rather than curved, and the neck is wider. A standard capo is shaped for the opposite of both.
Nylon strings sharp up under excess clamping force. The adjustable tension lets you use the minimum pressure that frets cleanly, which is how you avoid that.
It's a screw-tension design, not a one-hand spring clamp. Once tension is set you can reposition it, but it's slower than a squeeze capo.