Detail 01
Pitched in A, not Bb
A half step lower and longer than a Bb clarinet. Reads sharp-key orchestral parts without brutal transposition.

Independent shopping perspective
The A clarinet counterpart to the R13, in grenadilla with nickel-plated keys. For orchestral players who need both instruments to cover standard repertoire.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
A half step lower and longer than a Bb clarinet. Reads sharp-key orchestral parts without brutal transposition.
Detail 02
Dense African blackwood throughout. Dark, focused orchestral tone, but sensitive to humidity and needs a break-in period.
Detail 03
Bore diameter varies down the body instead of staying constant. Tightens intonation and shapes resistance across registers.
Detail 04
Harder and more tarnish-resistant than silver plating. Less polishing, slightly slicker feel under the fingers.
Detail 05
Beveled inside the bore so notes that would sit flat or feel stuffy respond evenly.
Detail 06
Stiffer, more consistent key return than standard springs. Action stays positive over years of playing.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
Orchestral parts written in sharp keys. Composers wrote for A clarinet to keep fingerings manageable, so orchestral players carry both Bb and A.
Not really. Band, jazz and most method books are written for Bb. The A is a second instrument, not a replacement.
No. The case, ligature, cap and care products come with it. Mouthpiece and reeds are separate.
It's a longer instrument using more grenadilla, and it's built in smaller numbers since fewer players need one.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.