Detail 01
Threshold control
Sets how loud your signal must be before the gate opens. Too high and quiet notes get chopped off.

Independent shopping perspective
Noise gate and hum suppressor in a BOSS compact enclosure. For players running high-gain amps or single-coil pickups who need the noise floor down between phrases.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Sets how loud your signal must be before the gate opens. Too high and quiet notes get chopped off.
Detail 02
Controls how fast the gate closes. Slow decay preserves natural note tails; fast decay is tighter but can sound abrupt.
Detail 03
Lets you loop noisy pedals through it so the gate keys off your dry signal, not the noise those pedals add.
Detail 04
Standard compact footprint, but the send/return jacks mean you need routing space around it on the board.
Detail 05
Metal chassis. Handles stomping and travel without the jacks working loose.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
The send/return loop is the difference. It watches your guitar signal directly to decide when to open, so noisy pedals inside the loop cannot fool the gate into staying open.
Use the loop: guitar into the pedal's input, send out to your noisy pedals, their output back into return. That puts the noisy gear inside the gate's control.
It can if the threshold sits too high. Back the threshold down until long notes ring out fully, then raise it just until the noise between phrases drops away.
It mutes the hum when you are not playing, but the hum is still there under your notes. A ground loop needs fixing at the source — this only hides it between phrases.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.