Detail 01
Mono signal path
One in, one out. A stereo rig running two amps or a stereo delay needs the stereo version instead.

Independent shopping perspective
Mono volume pedal built on the larger FV-500 chassis. For players who want swells, volume rides, or an expression-style sweep in a pedal that survives touring.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
One in, one out. A stereo rig running two amps or a stereo delay needs the stereo version instead.
Detail 02
Meant for the front of the chain, before buffers or preamps. In the wrong spot, treble loss and volume taper get uneven.
Detail 03
Foot control means both hands stay on the instrument, which is what makes real-time swells possible.
Detail 04
Sets the floor at heel-down. Set above zero and you keep a quiet signal instead of full silence at the bottom of the sweep.
Detail 05
Much bigger than a BOSS compact. Measure your board before buying — it will not slot into a compact-sized gap.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
The H is high-impedance, meant for passive instrument signal at the front of the chain. The low-impedance version belongs after buffers or in a line-level loop.
It is built as a volume pedal with a mono audio path. An expression pedal sends a control voltage to another device instead, which is a different job.
That is usually impedance mismatch — a high-impedance pedal placed after buffered gear, or the reverse. Move it to the front of your chain and check again.
Active outputs are low impedance, which is not what this version is designed around. The low-impedance FV-500L is the match for active instruments and line-level sources.