Detail 01
Semi-open design
Sits between sealed and open: wider, less congested soundstage than closed, but leaks and lets room noise in.

Independent shopping perspective
Semi-open 250-ohm studio headphone for mixing and editing at a desk, where some isolation matters but a sealed can feels claustrophobic.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Sits between sealed and open: wider, less congested soundstage than closed, but leaks and lets room noise in.
Detail 02
Needs a dedicated headphone output to reach real volume. Straight off a phone it stays quiet and thin.
Detail 03
Light with a moderate clamp, so it stays put through long sessions without squeezing your temples.
Detail 04
Stretches across a control room and pulls back out of the way; only one side is cabled, so less tangle.
Detail 05
Pads surround the ear rather than press on it, which is what makes multi-hour wear tolerable.
Detail 06
Clean enough to hear small mix problems instead of the headphone's own artifacts.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
Effectively yes. At 250 ohms and 96 dB, a phone or basic laptop jack runs out of headroom. Any interface or headphone amp output handles it.
Not ideally. The semi-open design leaks, so a nearby mic can pick up the click track. Use a closed pair for tracking and these for mixing.
295 g without the cable, with a spring steel headband and 3.5 N of pressure. Light enough for long sessions.
A gold-plated 3.5 mm stereo mini jack on a 3 m coiled single-sided cable, with a 1/4 inch adapter included.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.