Detail 01
110 tip opening
About .110 inch between reed tip and mouthpiece. Wide, so it needs more air and pairs best with softer reeds.

Independent shopping perspective
A metal tenor mouthpiece with a .110 tip opening. For experienced players who want a bright, projecting sound and can handle an open facing.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
About .110 inch between reed tip and mouthpiece. Wide, so it needs more air and pairs best with softer reeds.
Detail 02
Metal lets the chamber run smaller at the same outside size, which generally gives a brighter, more focused, more projecting sound.
Detail 03
Berg Larsen's second number denotes chamber size. Mid-range here, so it isn't the darkest or the most extreme in the line.
Detail 04
Metal mouthpieces are slimmer than hard rubber. Your rubber-piece ligature and cap almost certainly won't fit.
Detail 05
Sized for tenor sax only. It won't seat properly on an alto or bari neck cork.
Detail 06
This is a serious upgrade purchase, not a first mouthpiece. Worth it only if the open facing suits you.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
110 is the tip opening, roughly .110 inch, which is wide. The 2 is Berg Larsen's chamber designation, a middle option in the range.
Open tips like .110 usually call for softer reeds. Players moving from a stock piece typically drop half a strength to a full strength.
Probably not. Metal mouthpieces are narrower than hard rubber, so you need a ligature made for a metal tenor piece.
No. A .110 tip is demanding on air and embouchure. Students are better served by a closer facing.