Detail 01
64 ohms impedance
Middle ground. Plays loud from mixers, interfaces, and laptops without a headphone amp, but isn't the low load a phone prefers.

Independent shopping perspective
Full-size headphones built for loud monitoring: 57mm drivers, a 64-ohm load, and a nine-foot cord. For DJ booths and tracking rooms where you need level and reach.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Middle ground. Plays loud from mixers, interfaces, and laptops without a headphone amp, but isn't the low load a phone prefers.
Detail 02
High output for the voltage fed in. You'll sit low on the headphone knob, and any hiss in the source becomes obvious.
Detail 03
Large diaphragms, which means large earcups. Better seal around the ear, more weight on your head across a long shift.
Detail 04
Enormous headroom. Practically impossible to damage from a mixer or interface output; your hearing gives out well before the drivers do.
Detail 05
Reaches across a booth or into a live room. Also a snag hazard — clip or coil it near foot traffic.
Detail 06
The range extends past human hearing at both ends. A wide span says nothing about how balanced the midrange is.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
No. At 64 ohms with 107dB sensitivity they get loud from a mixer, audio interface, or laptop output. An amp mostly adds headroom you won't reach.
Fine for editing, comping, and checking parts. For final balance and low-end decisions, cross-check on monitors or a known reference pair before you commit.
Electrically yes — 64 ohms and high sensitivity play plenty loud from a phone. The nine-foot cord makes them impractical to carry around, though.
That's the intended use. 3500mW handling and 107dB sensitivity give level to spare over a loud room. How much bleed you block depends on the pad seal.
Reference
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